But it was in the 1950s that she set her foundation—a synthesis of Post-Impressionist landscape painting and post-war painterly abstraction. The results are something not familiar to most students of the period and her crisp, colorful brushwork allows the artist to sing with a completely original voice. Classical music remained an important part of her art. When she lived in New York she regularly attended concerts at Carnegie Hall where she would make sketches while she was in the audience. Her vibrant surfaces are both complex and painterly but with a flatness akin to something found in the background of a Gustav Klimt work. Drexler lived the last 16 years of her life on Monhegan Island with her husband, the painter John Hultberg, she passed away in 1999.

Drexler exhibited extensively throughout her life at venues such as Tanager Gallery, Esther Robles Gallery and Westerly Gallery. She is slated for upcoming shows at the Monhegan Museum and the Portland Museum of Art in Maine. Her work is part of the permanent collections of the Museum of Modern Art, Monhegan Museum, Farnsworth Museum, Brooklyn Museum and the Queens Museum among others.