• A Survey: 1850-1920
    • Saltillo Sarape
    • A Survey: 1850-1920
    • Mark Winter and Tom McCormick
    • Previously published work on the Saltillo Sarape has primarily concentrated on those textiles classified as Classic, that is to say, weavings produced from the eighteenth through the mid-nineteenth centuries. This is certainly understandable as these world-class weavings are among the most magnificent ever produced in any culture. They have always been costly, a sign of wealth and privilege, and they are rare and expensive to collect today. Mark Winter, the foremost authority on the topic, has written insightfully in his essay about the history and development of the Classic Saltillo Sarape. However, Saltillo Sarapes woven in the post-classic period, after 1850 and up to the decline of the indigenous Mexican weaving industry in the early twentieth century, have received considerably less attention. This represents a seventy-five year period in which superb examples were produced with an expanded canon of design concepts and the benefit of newly available dyes and yarns. This was also an era of growing nationalism, when the sarape became a symbol of Mexican pride. The weavings of this period are the subject of the essay by Tom McCormick and the accompanying exhibition at the McCormick Gallery.
    • Published 2011, 112 pages with 50 color illustrations and 57 color plates
    • $55
  • When I Grow Up I Want to Be Just Like Jasper Johns
    • Jack Roth (1927 - 2004)
    • When I Grow Up I Want to Be Just Like Jasper Johns
    • Tom McCormick
    • View Online
    • Published in conjunction with an exhibition held at the gallery, this catalog examines drawings created by artist Jack Roth (1927-2004) in the 1960's. Roth was an abstract painter and a mathematics professor. The ink drawings, watercolors and collages from this period combine Roth's awareness of Pop Art and wry humor with curiosity about the worlds of fashion, art and culture.
    • Published 2011, softcover, 36 pages with 27 color illustrations
    • $10
  • Early Spring
    • Lynne Drexler (1928 - 1999)
    • Early Spring
    • essay by Susan Danly
    • View Online
    • Lynne Drexler "Early Spring" accompanies the exhibition held at the gallery from April 17-June 5, 2010. An essay by Susan Danly is featured in the catalog. Published in conjunction with Vincent Vallarino Fine Art, NY.
    • Published 2010, softcover, 25 pages with 22 color illustrations
    • $10
  • USA: works from the sixties
    • Melville Price (1920 - 1970)
    • USA: works from the sixties
    • essay by Vered Lieb
    • Published in conjunction with an exhibition held at the gallery, this catalog examines the work Melville Price (1920-1970) created in the sixties. A complete essay by Vered Lieb is included along with commentaries by Ben Herr, Thornton Willis and William Christenberry.
    • Published 2009, 54 pages, soft cover with 30 color illustrations
    • $10
  • Structured Forms
    • Harold Krisel (1920 - 1995)
    • Structured Forms
    • essay by Peter Frank
    • This catalog accompanied the Harold Krisel exhibition held at the gallery in 2009. It includes a detailed chronology and essay by Peter Frank along with short tributes from two of the artist's daughters and was published in conjunction with Vincent Vallarino Fine Art in New York, NY.
    • Published 2009, 48 pages, soft cover with 50 color illustrations
    • $10
  • Recent Acquisitions, Autumn 2008
    • Recent Acquisitions, Autumn 2008
    • Tom McCormick
    • Our recent acquisitions catalog features works by: Mary Abbott, Norman Bluhm, Elaine de Kooning, Michael Goldberg, Michael Loew, Conrad Marca-Relli, Stephen Pace, Melville Price, Michael West and many others. It also features an early preview of two new estates we are showing: Harold Krisel and Lynne Drexler. Biographies of each artist accompany the works.
    • Published 2008, 51 pages, soft cover w. 42 color illustrations
    • $15
  • The Beginning: Selections from the Estate
    • Michael Loew (1907 - 1985)
    • The Beginning: Selections from the Estate
    • essay by April Kingsley
    • Published by Vincent Vallarino Fine Art, New York, NY and the McCormick Gallery, this catalog accompanies an exhibition of the same name on view at the McCormick Gallery in the spring of 2008. A catalog essay by April Kingsley explores the life and work of Michael Loew, a painter who lived and worked in New York during the Abstract Expressionist movement.
    • Published 2008, 56 pages, soft cover w. 49 color illustrations
    • $10
  • Cascading Forms: Works from 1940 to 1970
    • John Little (1907 - 1984)
    • Cascading Forms: Works from 1940 to 1970
    • Tom McCormick
    • This catalog accompanies the first exhibition at the McCormick Gallery of works from the estate of John Little. Cascading Forms traces his career over three vital decades. Little was a New York painter and first generation Abstract Expressionist. A student of Hans Hofmann and close friend of Jackson Pollock, Little moved in 1951 to East Hampton where he worked as a central figure in the evolving development of American abstract art.
    • Published 2008, 54 pages, soft cover w. 39 color illustrations
    • $20
  • Second to None - Abstract Expressionism
    • Second to None - Abstract Expressionism
    • Second to None - Abstract Expressionism
    • In its fourth edition this catalog focuses on both the estates and artists the gallery has been representing for years, such as Mary Abbott and Melville Price, but then expands to include the new estates the gallery has been working with such as those of John Little and Michael Loew. Each featured artist has a short biography.
    • Published 2007, 50 pages, soft cover w. 36 color illustration
    • out of stock
  • Second to None - Abstract Expressionism
    • Second to None - Abstract Expressionism
    • Second to None - Abstract Expressionism
    • Second to None 3 expands to include artists: Morris Barazani, Norman Bluhm, David Budd, Herman Cherry, David Hare, Weldon Kees, Elaine de Kooning, John Little, Jon Schueler, David Slivka and Wifred Zogbaum.
    • Published 2006, 32 pages, soft cover w. 30 color illustrations
    • out of stock
  • Small Scale Abstract Expressionism
    • Suitcase Paintings
    • Small Scale Abstract Expressionism
    • essay by April Kingsley
    • Suitcase Paintings: Small Scale Abstract Expressionism accompanies a traveling exhibition of the same name touring from 2007-2008 to six museums. Catalog essays include a main essay written by April Kingsley, a study on midwest Abstract Expressionism by John Corbett and Jim Dempsey and a case study on artist Melville Price by Tom McCormick. For more information visit www.suitcasepaintings.com
    • Published 2007, 108 pages, soft cover, fully illustrated
    • $30
  • Abstract Expressionist Paintings 1945-1985
    • Mary Abbott (b. 1921)
    • Abstract Expressionist Paintings 1945-1985
    • essay by Phyllis Braff
    • This catalog accompanies Mary Abbott’s second solo exhibition at the McCormick Gallery. It surveys her work over a forty year period and includes a catalog essay by Phyllis Braff, an introduction by Ann Porter and a family history by Tom McCormick.
    • Published 2007, 54 pages, soft cover, 27 color illustrations
    • $10 post paid
  • The Storm Departs
    • Perle Fine (1905 - 1988)
    • The Storm Departs
    • Helen Harrison, Tom McCormick
    • Published in conjuntion with the exhibition “Perle Fine: The Storm Departs” this catalog surveys the work created by artist Perle Fine (1908-1988) from 1940-1970. Included is an introduction by Tom McCormick, an appreciation by Beth Levinthal, Director of the Hofstra Museum in New York and a catalog essay by Helen Harrison, Director of the Pollock-Krasner House, New York.
    • Published 2007, 38 pages, soft cover, 22 color illustrations
  • The Future of Futurism
    • David Budd (1927 - 1991)
    • The Future of Futurism
    • essay by Roy Slade
    • This catalogue accompanies the first exhibition of works from the David Budd estate at the McCormick Gallery. Roy Slade, Director Emeritus of the Cranbrook Art Museum, examines the work he created during the 1950’s. Budd died in 1991 leaving behind an impressive body of paintings which are given new attention in this exhibition.
    • Published 2006, 14 pages, soft cover with 9 color illustrations
  • Te Quiero
    • Robert Motherwell
    • Te Quiero
    • Printed in conjunction with the exhibition “Robert Motherwell: Te Quiero” which was held at the gallery from December 9, 2005 - January 14, 2006. The exhibition also traveled to the Salt Lake Art Center in Utah.
    • Published 2005, 6 pages, soft cover with 17 color illustrations
  • BLACK
    • BLACK
    • BLACK
    • essay by Robert Long
    • Printed in conjunction with an exhibition of the same name, BLACK examines the use of the color black in Abstract Expressionist art. In his essay “Light in the Dark” Robert Long looks at each piece in the exhibition and explores the artists particular use of black to heighten the intensity of the work.
    • Published 2005, 28 pages, soft cover
  • A Painter’s Eye on Cape Ann
    • Jan Matulka (1890 - 1972)
    • A Painter’s Eye on Cape Ann
    • Essay by Henry Adams
    • Published in conjunction with the exhibition “Jan Matulka: A Painter’s Eye on Cape Ann” held June 10-September 9, 2006 at the Cape Ann Historical Museum in Gloucester, MA.
    • Published 2006, 13 pages, soft cover w. 30 color illustrations
  • The Global Modernist
    • Jan Matulka (1890 - 1972)
    • The Global Modernist
    • essay by Whitney Rugg
    • This catalog accompanies a touring exhibition organized with the estate of Jan Matulka and the Montclair Art Museum (September 2004 - June 2006). The Global Modernist exhibition extends the focus on Matulka’s work another decade until around 1950. Matulka executed his stronger work in the 1920’s and 1930’s, however his later works reveal his practices of over-painting, working in multiple styles and leaving compositions unfinished.
    • Published 2004, 73 pages, soft cover with 60 color illustrations
    • $40 post paid
  • Jan Matulka: Selections from the Estate
    • Jan Matulka (1890 - 1972)
    • Jan Matulka: Selections from the Estate
    • Essay by Henry Adams
    • The McCormick Gallery has been the exclusive representative of the Jan Matulka estate since 1996. This catalog is the first incisive examination of his life’s work since the Whitney Museum of American Art co-published “Jan Matulka (1890-1972)” with the National Collection of Fine Arts in 1980. Henry Adams insightful essay brings a fuller overview to this important Czechoslovakian/American painter’s contribution to the modernist movement.
    • Published 1999, 117 pages, soft cover with 116 illustrations
    • $30 post paid
  • Without Compromise: The Art of Melville Price
    • Melville Price (1920 - 1970)
    • Without Compromise: The Art of Melville Price
    • Essay by Barbara G. Price
    • The McCormick Gallery has represented the estate of Melville Price since 1995. This catalog examines Price’s work up until his death in 1970. Having died relatively young Price still produced an extensive body of work. His widow Barbara examines this work in her essay and offers a moving and candid interpretation of Price’s life as an Abstract Expressionist painter.
    • Published , 49 pages, soft cover with 49 color illustrations
    • $25 post paid